"Musically and atmospherically a total work or art. Ambient music at the height of (seasonal) time" FreiStil Magazin #111

"The piano-percussion album seems to be another successful reincarnation of the AMM idea (in both sets, the wonderful, drone like, muted and very minimalistic passages stand out)" spontaneousmusictribune.blogspot.com

"A profound dialogue moving freely and meaningfully through a variety of textures. This is an excellent introduction to Marjolaine Charbin, a pianist likely to become a significant presence in improvised music" freejazzblog.com

"The length of the pieces flows effortlessly, the material being so mastered and the flow being in constant evolution, metamorphosed through heterogeneous temporalities." orynx-improvandsounds.blogspot.com

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10 best albums of the year 2023 - New York City jazz review

"The communication between musicians is human-reaffirming, generous while retaining individuality but only as assertive as called for by the moment". B.Olewnick

"Together, Frans Van isacker and Marjolaine Charbin perform extremely thin free improvisation - microsonic if you will. Strongly reminiscent of the onkyo movement or the work of French group Hubbub. Nice tension in the music, and a few unique extended techniques."
François Couture, Monsieur Délire

"It's often hard to tell, without knowing beforehand, that what we are listening to are two very ordinary western instruments. No mention is made in the liner notes about electronics, and I'm assuming that there aren't any, and yet... (…) There is a lot of interaction between the sounds, albeit mostly on a very subtle level. It does sometimes "cook", but never threatens to boil over."
Jeph Jerman, The Squid’s Ear

"The CD is not overly radical, yet for sure demonstrates the musicians’ finely tuned ears as far as the understated exploration of the character of an instrument is concerned.  (…) In essence, this is a record whose misleading caginess reveals instead a number of admirable insights. The fact that the music appears honest, discreetly stylish in a way and absolutely worthy of a further deepening of some of its aspects doesn’t hurt, either."
Massimo Rici, Touching Extremes